//  Critical Acclaim

Fidelio: Caramoor

“Beethoven requires much from his soprano, with extended passages of ornamentation, often written for the single syllable of a word. Elza van den Heever brought her formidable and agile instrument to the part, leaping through the difficult passages of the “Abscheulicher!” monologue and aria including the torturous¬†fioratura¬†writing above the stave. She became the focal point of the action from the moment she stepped onstage, capturing the character’s outer deception and inner distress. In Act II, her confrontation with the evil Don Pizarro brought white-knuckle excitement.”

Superconductor