Il Trovatore / Canadian Opera Company

“Elza van den Heever. Remember that name. The South African soprano makes her COC debut here and will be making her Metropolitan Opera debut at the end of the year.

Her performance as the piece’s tragic heroine, beloved of two brothers who are also sworn enemies, hit all of the emotional touchstones the part requires: vulnerability, ecstatic love and heart-rending despair. From the opening notes of “Tacea la notte placida,” it was obvious we were in the hands of a singer for whom delicacy and power are not mutually exclusive.

There is also a welcome spontaneity in her acting, which made that difficult toboggan ride of the opera’s penultimate scene, where she hurtles through some of the plot’s more melodramatic turns, something to be believed and cherished.”

Richard Ouzounian, The Star

“The singing kudos goes to South African soprano Elza van den Heever as Leonora. She has a good stage presence and gives us a lovely and tortured heroine. She achieves controlled fragility and vocal splendour. When she sings pianissimo and you are afraid that her voice may crack, it takes wings and slowly soars with indelible beauty. It’s like a white dove slowly opening its wings and rising towards the sky. She can be dramatic as well and gives a well-rounded performance of the first order.”

James Karas, Bachtrack

Alcina / Opéra National de Bordeaux

“South African soprano Elza van den Heever played Alcina. She is an important soprano of our times, a lyric-spinto, and she has a great future ahead of her…Elza van den Heever was an exciting Alcina, more powerful than moving, and at her best in the more dramatic moments.”

José Ma Irurzun, Seen and Heard International

Rinaldo / Lyric Opera of Chicago

“As Armida, the bright-voiced, fearless soprano Elza van den Heever stole every scene she was in, especially the end of Act II, in which the thwarted Armida sings a fiery aria of defiance, “Vo’ far guerra.”

Anthony Tommasini, The New York Times